GALLERIES
COMMISSIONS
MARQUES
ERAS
RACING
SPECIALS
LIFESTYLES
ART TYPES
ARTISTS
DESIGNERS
AMERICAN
BRITISH
ITALIAN
FRENCH
GERMAN
WORLD
Adrian Newey
Al Leamy
Aldo Bravarone
Aldo Costa
Alec Issigonis
Alex Tremulis
Alexander Darracq
Alexander Selipanov
Alfieri Maserati
Alfred Gough
Alfredo Vignale
Archibald Frazer-Nash
Autodelta
Barker & Co.
Ben Pon
Bill Boyer
Bill Mitchell
Bill Porter
Bob Gregorie
Bob Marcks
Bob McGee
Bohman & Schwartz
Briggs Cunningham
Bruce McLaren
Camilo Pardo
Carl Breer
Carlo Anderloni
Carlo Castagna
Carlo Chiti
Cecil Kimber
Charlie McHose
Chip Foose
Chuck Jordan
Colin Chapman
Craig Durfey
Cyril Kieft
Dave Holls
David Ash
David Sanchez
De Villars
Derek Gardner
Dick Pierson
Dutch Darrin
Ed Macauley
Eddie Kuzma
Edsel Ford
Emanuele Nicosia
Eric Broadley
Erwin Komenda
Ettore Bugatti
Ferdinand Porsche
Filippo Perini
Flavio Manzoni
Francesco Salamone
Franco Scaglione
Frank Costin
Frank Feeley
Frank Kurtis
Frank Saucedo
Frank Stearns
Frank Stephenson
Frank Williams
Freeman Thomas
Friedrich Geiger
George Smith-Clarke
Georges Gangloff
Georges Paulin
Gerry Coker
Gioacchino Colombo
Giorgetto Giugiaro
Giotto Bizzarrini
Giovanni Savonuzzi
Giulio Alfieri
Giuseppe Figoni
Giuseppe Merosi
Giuseppe Seregni
Gordon Buehrig
Gordon Coppuck
Gurney Nutting
Hans Mezger
Harley Earl
Harold Owen
Harry Miller
Harry Morgan
Harry Stutz
Henri Jonckheere
Henrik Fisker
Herbert Austin
Herbert Newport
Hermann Ahrens
Hooper & Co.
Ian Callum
Jacques Saoutchik
James Allison
Jean Andreau
Jean Bugatti
Jean Labourdette
Jim Hall
John Barnard
John Owen
John Reinhart
John Tjaarda
John Tojeiro
Jozef Kaban
Karl Wilfert
Ken Okuyama
Kevin Taylor
Klaus Luthe
Larry Shinoda
Lee Chadwick
Len Terry
Leonardo Fioravanti
Louis Coatalen
Luc Donckerwolke
Malcolm Sayer
Marcello Gandini
Marek Reichman
Mark Fetherston
Mark Stehrenberger
Maurizio Corbi
Mauro Forghieri
Medardo Fantuzzi
Michael Mauer
Mike Costin
Neil Oatley
Nuccio Bertone
Orazio Puliga
Owen Maddock
Paddy Lowe
Patrick Head
Paul Bracq
Peter Brock
Peter Elleray
Peter Stevens
Phil Wright
Piero Drogo
Pininfarina
Randy Grubb
Raymond Dietrich
Raymond Loewy
Reid Railton
Roger Penske
Ron Bradshaw
Rory Byrne
Rudolf Uhlenhaut
Sergio Scaglietti
Syd Mead
Ted Cutting
Tom Tjaarda
Touring
Vanden Plas
Vanvooren
Virgil Exner
Vittorio Jano
Walter Murphy
Walter Owen Bentley
William Lyons
Wu-Huang Chin
Zagato
Mazda RX-7
Additional Views:
enlarged
artist:
Wu-Huang CHIN
Wu-Huang Chin,
designer of car
Year
:
1993
Make
:
Mazda
Model
:
RX-7
Media
Size
Edition
Price
Giclée on canvas
16" x 22"
500
$125
Sold Out
ORIGINAL PAINTING - mixed media on board
17" x 24"
1
$975
Sold Out
Mazda RX-7
The award winning 3rd generation Mazda RX-7 by its Taiwan born designer, Wu-Huang Chin. Car Art, Inc. commissioned Wu-Huang to produce this all-new, unique portrayal of his creation--your favorite sports car. His beautiful artwork is faithfully reproduced on canvas using the giclée process--the finest available. These limited edition prints are individually numbered and signed by the designer himself. Here is a unique opportunity for you--or someone you treasure--to own and display a rare piece of automotive art!
Artist Notes:
"I first started working on the 3rd generation RX-7 in 1988. Soft, organic aero shapes were the trend of the time. Our goal was to develop a timeless design along the lines of the legendary Ferrari and Jaguar sports / racing cars from the '60s. We pictured in our minds this car being presented at the Pebble Beach Concours 20 years later. However, we did not want to borrow any heritage from others, instead we looked at the Cosmo Sport, the first and second generation RX-7s and tried to continue this Mazda rotary heritage.
The air outlet on the front fender behind the front wheel was a theme I pushed for right from the beginning. This leads to the lower door cut which curves up and flows into the B pillar. The movement of these elements gave the design a dynamic stance. The outlet was meant to extract heat from the engine compartment. It also hints at the front-midship layout of the rotary power plant. The outlet was carefully sculpted to have an organic look as if the car was a living creature and this was its breathing orifice.
At one point of the development, I was told by engineering that an outlet for the engine room was not necessary and we had to take this feature off the clay model. As you can imagine, it took a lot of character away from the design and we were all disappointed. Luckily, the brake engineers told us later that they needed to vent the hot air from the front brakes away from the engine room and exhaust it via ducts on the front fender, much to my relief, I got my air outlet back!
Before the RX-7, we were working on a few blue-sky projects searching for advanced design themes. One of these was the RX-44. Mazda was experimenting with hydrogen rotary engines at the time. I did a futuristic sedan powered by a 4-rotor hydrogen engine. It seats 4 persons in a diamond pattern with the driver up front at the center. To hint at this seating arrangement, I put 4 bubbles on the roof of the car in the same diamond pattern. Later, my boss Tom Matano did a 3 passenger mid-engine super car powered by a 3-rotor engine. He put 3 bubbles on his model. When we started the RX-7, which was a 2-seater powered by a 2-rotor engine, It was only natural for us to put 2 bubbles on the roof. Tom and I have since referred to it affectionately as the 'double bubble!'"
Wu-Huang Chin Gallery
CONTACT
Peter Aylett at 949-443-0500 or
info@carart.us
CAR ART, INC.
©2022 All Rights Reserved